Nobel laureate Shirin Ebadi to deliver lecture on the first anniversary of ‘Woman, Life, Liberty’ movement in Iran
Nobel Peace Prize laureate and human rights activist Shirin Ebadi is returning to the University of Toronto to deliver a lecture on the women’s uprising in Iran. Ebadi, an honorary doctorate holder at the University, is known worldwide for staunchly supporting the rights of women, children and refugees in Iran.
Ebadi will deliver her lecture, “Women, Life, Liberty: Human Rights and the Women’s Uprising in Iran,” on September 22 in Convocation Hall. Ebadi’s visit coincides with the one-year anniversary of the start of the Iranian “Woman, Life, Liberty” movement that began in response to the death of Mahsa Amini in police custody.
The lecture is a partnership with U of T’s Elahé Omidyar Mir-Djalali Institute of Iranian Studies in the Faculty of Arts & Science, a world leader in the study of Iranian history and culture. The institute runs regular symposiums, including in the weeks leading up to Ebadi’s lecture.
Dr. Stephanie Cronin is currently the Elahé Omidyar Mir-Djalali Research Fellow (2018-2025) at St. Antony’s College and in the Faculty of Oriental Studies, University of Oxford. She previously wasRoshan Institute Visiting Research Fellow at Oxford (2015-2018); Senior Research Fellow at the University of Northampton (1999-2009); Lecturer in the Contemporary History of the Near and Middle East at the School of Oriental and African Studies, University of London (1993-1997); Lecturer in the Faculty of Oriental Studies, University of Cambridge (1993-1994); and Fellow of the British Institute of Persian Studies (1983-1987). She is the author of Armies and State-building in the Modern Middle East: Politics, Nationalism and Military Reform (I. B. Tauris, 2014); Shahs, Soldiers and Subalterns in Iran: Opposition, Protest and Revolt, 1921-1941 (Palgrave Macmillan, 2010); Tribal Politics in Iran: Rural Conflict and the New State, 1921-1941 (Routledge, 2006); and The Army and the Creation of the Pahlavi State in Iran, 1910-1926 (I. B. Tauris, 1997). She received her Ph.D. in History (1992) and her M.A. in Middle East Studies (1981) from the School of Oriental and African Studies.
Explores and theorises the modern and contemporary art of Iran from the mid-twentieth century to the present
- Critically rereads the concepts of modern and contemporary art in the context of Iran
- Discusses discourses such as nativism, nationalism, anti-westernism or Gharb-zadegi (Westoxification), modernism, secularism, Islamicism, identity versus cultural globalisation, cultural essentialism, global market demands and exoticism
- Looks at the representation of these discourses in art and artistic movements such as Saqqā-khāneh, revolutionary art and diasporic art or artistic strategies such as humour, criticism of cultural past, deconstructive and subversive language, etc.
- Shows how globalisation and its attendant cultural transformations and alternative visions of cultural particularities have emerged as new themes for Iranian artists
- Based on primary sources including interviews with artists, curators, art critics and cultural activists from a range of disciplinary media such as painting, sculpture, photography, video, performance, installation, and participatory projects
- Examines how political events such as the 1979 Revolution, its aftermaths and the so-called Reform period (1997-2005) impacted cultural and artistic modes in Iran
“This book deals with the exploration and theorisation of Modern and Contemporary art of Iran through the examination of art movements and artistic practices in relation to other cultural, social and political discourses during the twentieth and twenty-first centuries. It focuses on discourses and their impact on art movements and practices and aims to selectively explore certain prevailing debates in action during this time. To come to grips with the way that artistic trends in Iran can be traced within the intellectual and political landscape of the country mainly from the 1940s to the present, Keshmirshekan articulates new ideas for relating art to its wider context – whether social, cultural or political – and to bring together critical and historical evidence in order to provide an insight into current artistic concerns. The book explores these underlying themes and discourses through a series of case studies, including through close scrutiny of works of artists.
UW: Department of Near Eastern Languages and Civilizations has a New Name, Middle Eastern Languages and Cultures
The Unviersity of Washington is excited to share that the Department of Near Eastern Languages and Civilization has a new name: Middle Eastern Languages and Cultures (MELC). They have made this change to acknowledge and embrace the diversity of the regions they study, to raise the visibility of the courses and activities offered, and to stay up-to-date with developments in their fields of study. This name reflects the great variety of approaches and interests in their scholarly work and course offerings, and believe it best represents the work they do and the communities they serve, now and in the future. MELC’s new webpage can be found at https://melc.washington.edu and for more information, visit https://melc.washington.edu/news/2022/09/20/nelc-has-new-name
Dear Friends, We’re just over a week away from our first in-person event in almost 3 years! We can’t wait to see you all so soon. Come for music, poetry, multimedia exhibitions, and more!
Published in association with Elahé Omidyar Mir-Djalali, Founder and Chair, Roshan Cultural Heritage Institute
Series Editor: Professor Stephanie Cronin
Covering the history of Iran and the Persian world from the medieval period to the present, this series aims to become the pre-eminent place for publication in this field. As well as its core concern with Iran, it will extend its concerns to encompass a much broader and more loosely defined cultural and linguistic world, including Afghanistan, the Caucasus, Central Asia, Xinjiang, and northern India. Books in the series will present a range of conceptual and methodological approaches, looking not only at states, dynasties, and elites but at subalterns, minorities, and everyday life.
Elahé Omidyar Mir-Djalali Institute of Iranian Studies at the University of Toronto celebrated Persian New Year
Elahé Omidyar Mir-Djalali Institute of Iranian Studies at the University of Toronto celebrated Persian New Year by hosting the Nowruz Festival of Women Poets on Saturday, March 26, 2022, co-presented by the Aga Khan Museum. The event sold out within days and featured both live and virtual performances from some of the world’s most celebrated poets and musicians dedicated to Persian art, language, and culture.
April 29, 2022 – 5 PM GMT(9 AM PST, 12 PM EST)
What fellowships and grants exist out there?What are the different options for students & postgraduates? What do students or postgraduates need to secure one?
Mark your calendars for our next Presidential Session on “Fellowships and Grants in Iranian Studies” with AIS President, Naghmeh Sohrabi, AIS Council Member, Dr. Hosna Sheikholeslami, and Dr. Stella Morgana.https://tinyurl.com/AISPresidentialSessionsThe online event will be held on Friday, April 29 at 12pm EST and will be moderated by AIS Student Representatives Dr. Rowena Abdul Razak and Layah Ziaii-Bigdeli. To register, visit:
James F. Harris, 81, eminent scholar of 19th-century German history and longtime dean of the College of Arts and Humanities (ARHU) at the University of Maryland, died Feb. 22, 2022, of heart disease at Johns Hopkins Hospital in Baltimore, Maryland. His deanship was marked by numerous academic and philanthropic achievements, including the development of an integrative approach to Middle East studies delivered in part through the creation of the Joseph and Alma Gildenhorn Institute for Israel Studies and the Roshan Institute for Persian Studies, the first centers of their kind in the U.S. under his leadership, the college also collaborated with the UMD Libraries and Office of Information Technology to establish the Maryland Institute for Technology in the Humanities, which has become a leading intellectual hub and international center for digital humanities.
The Elahé Omidyar Mir-Djalali Fund within the Louvre Endowment Fund has received an exceptional donation of $2.3 million from American Friends of the Louvre thanks to the generosity of Roshan Cultural Heritage Institute.
In 2011, Dr Elahé Omidyar Mir-Djalali and her son Pierre Omidyar became the first philanthropists to support the Louvre Endowment Fund through Roshan Cultural Heritage Institute. They created a specific fund to advance research in art history and promote cultural outreach linked to the Persian world. Thanks to this partnership, Roshan Cultural Heritage Institute has also created the first Louvre fellowship programme.
This new donation will allow for the creation of a second Elahé Omidyar Mir-Djalali fellowship for the Louvre: the Department of Near Eastern Antiquities and the Department of Islamic Art will therefore each benefit from a new fellow. The donation also brings greater funding for cultural outreach and research relating to the Persian world within the Musée du Louvre.
Congratulations to Dr. Mojtaba Ebrahimian on the new position of Preceptor in Persian in the Department of Near Eastern Languages and Civilizations at Harvard University
We at RCHI are very pleased for Mojtaba, our former PhD fellow, and wish to extend our congratulations to all who have assisted him on his journey. This new position speaks volume of the reputation of the Persian Studies program at UArizona, which we are proud to have been supporting for years.
Roshan Cultural Heritage Institute extends its best wishes to eveyrone for the celebration of Noruz 1400.
Noruz – literally “New Day” – is the Persian New Year, a most cherished celebration that goes back 3,000 years and symbolizes life renewal in health and harmony with nature. Noruz starts at the exact instant of the Vernal Equinox, which occurs each year around the 21st of March, the first day of spring. This most important Iranian holiday is a time for family and friends to gather together and is marked with a myriad of activities affecting everything from preparations and celebrations to food, clothing, gift giving, charity, and many other social and family activities.
Haftsin (Haft Seen) is the spread, around which the Family gathers to celebrate Noruz. Iranians take pride in putting together an attractive and elaborate spread to represent both spiritual and worldly symbols promising a happy start of the New Year. The Persian word Haft means seven and Sin refers to the sound /S/ in the language. Usually a nice embroidered fabric is used as the foundation of the spread. On the spread seven specific items starting with the sound /S/ are displayed. The set is prepared a day or two before Noruz and given a place of honor in the house to remain 13 days following Noruz. Additional items are also placed on the Haftsin that will signify renewal, life, happiness, spiritual purity, prosperity, fertility, growth, good health and all things one desires for the New Year.
This celebration is one of hope, promise and good fortune to enjoy and share with friends and family.
Roshan Cultural Heritage Institute is pleased to announce a new endowment that establishes two doctoral fellowships for students pursuing Iranian studies at the University of California, Irvine – the Elahé Omidyar Mir-Djalali Graduate Fellowship in Ancient Iranian Studies and the Elahé Omidyar Mir-Djalali Graduate Fellowship in the Study of the Persian/Iranian World. The $1.5 million endowment enables UCI to expand its current graduate specialization in ancient Iran and the premodern Persian world into a Ph.D. concentration that is expected to be available for student applications in fall 2022.
The Elahé Omidyar Mir-Djalali Graduate Fellowship in Ancient Iranian Studies will support Ph.D. students who are studying the ancient Iranian/Persian world (550 BCE to 650 CE) and are advised or co-advised by the Elahé Omidyar Mir-Djalali Presidential Chair in Art History & Archeology of Ancient Iran, currently Professor Matthew Canepa. The Elahé Omidyar Mir-Djalali Graduate Fellowship in the Study of the Persian/Iranian World will be open to students studying the Iranian world in any time period or discipline, in any UCI Ph.D. program that participates in the concentration.
The two fellowships established by this grant are among the only permanent, endowed Ph.D. fellowships in the world dedicated specifically to ancient Iranian studies. Administered by the Elahé Omidyar Mir-Djalali Presidential Chair and the Dean of Humanities, the fellowships will be part of a competitive five-year funding package guaranteed to Ph.D. students upon admission.
“The Elahé Omidyar Mir-Djalali Graduate Fellowships will be transformative both for UCI – which will attract top doctoral students as a result – and for the field of Iranian studies more generally,” said Professor Canepa, who directs the graduate specialization. “By graduating with a disciplinary Ph.D. as well as credentials in Iranian studies, doctoral students will be ideally equipped to compete for the widest possible range of positions at the widest possible range of institutions and programs.”
Roshan Cultural Heritage Institute has supported several Persian-focused initiatives at UCI, and this new grant marks our second endowment. The $2 million Elahé Omidyar Mir-Djalali Presidential Chair in Art History & Archaeology of Ancient Iran was created in 2017.